The main altar has a Classicist character and shows Christ's death at the Calvary. Under the tympanum it reads Sic Deus dilexit mundum (for God so loved the world). The finely elaborated pulpit with angels holding a heart in flames and an anchor on its side and angels holding the tables of the Ten Commandments at its crown has a Baroque effect. The gracious carving of the pulpit is made from lime-tree and depicts the Good Shepherd sowing seeds. The Baroque-style font of the apse was made in the 18^th century. John the Baptist pours laver on kneeling Jesus with a wide movement. On the left wall of the apse are Baroque-style pictures of Saint George and Saint Cecile, as well as notary György Gyomlai's votive pictures from 1864 but, in fact, they might have been painted earlier. The right-side wall of the apse has a slightly damaged, lively arranged picture of the Three Magi and the picture of the Holy Trinity hanging next to it is a more traditional piece.

The altar of Saint Joseph located at the left wall of the nave has a Baroque style, the two supporting figures, the father of the church and the nun are good-quality sculptures, probably made by the Zichy family's own sculptor. The figure of the opposite - right-side - John of Nepomuk with the surrounding angels is a successful piece. The cingulum painted on the neck of the saint indicates that he is a victim of the seal of confession. The altar of Saint Sebastian at the right side of the nave is characteristic of the 19^th century. The two supporting figures - Wendelin of Trier and Roch - are the saints of Budaörs. Wendelin is the saint of farmers and shepherds while the classicizing figure of Roch, patron saint of the plague-stricken, reminds of the epidemic in 1739. The dog fetching bread in its mouth reminds of helping the plague-stricken. The predella of the altar has a successful painting of suffering Christ. The main picture of the opposite, right-side altar depicts Magdalena with Saint Elisabeth and Hungarian-born Scottish Saint Marguerite next to her - both saints being protectors of the poor. Music-playing Baroque angels of the organ-case remind of the angels, carved by Sebestyén Stuhlhof, of the Tihany Abbey, and the organ used to be even richer in terms of figures before it was rebuilt. The four fresco sections of the ceiling - John of Nepomuk, Saint Dominic, the ascension of Christ and Moses with the snake on the last fresco - show that the church used to be much more colourful. Moses could very well be a symbol of Budaörs people looking for a new home. The small Baroque tower of the church reminds of the first church.

The commemorative sculpture situated in the church garden - a soldier falling in the arms of Christ - was made by János Pásztor in 1925. Since June 1992, this has been supplemented by a row of inscriptions „In memory of our dead", placed ovally behind the sculpture and containing 16 tables with 475 names of people deported, displaced and died in World War II. The row of tables harmonising with the main sculpture was made by György Balassa, of Vörösvár, with the joint help of Budaörs people living in Germany and locals.